Artist Spotlight: Hydrane
Parisian-born Hydrane creates abstract, neon sculptures that almost glow on the urban walls they’re painted on. Using various techniques ranging from graphite and colored pencils to PVC and foam sculptures, she dreams up and designs vibrant, colorful architectural experiences.
Hydrane originally worked primarily on architectural commissions until 2021, shifting into graphic art, sculpture, painting, and many other mediums. Her work has ties to her Peruvian heritage. She cites the vibrancy of Nazca lines and the colorimetric logic of Peruvian architecture as major influences on her art.
Her work can be found in several Parisian galleries, such as the Ground Effect gallery.
WXLLSPACE reached out to Hydrane to learn more about her work and methods.
How did you become an artist?
Since I was a kid, I have always loved drawing. I started at the age of ten, and this passion has accompanied me til today. Recently, I officially became an artist living from my art. Initially, I worked alongside my studies. I studied architecture and after graduating, I worked in an architecture firm while continuing to draw and create.
During this time, I began painting murals, seeking to explore a new form of creation. Gradually, I gained confidence in urban art. One day, completely by chance, Louis Vuitton noticed my work. I exhibited at the Louis Vuitton showroom in the summer of 2022. This opportunity became a springboard, as living from one's art requires financial resources.
Why the name Hydrane?
The name "Hydrane" evokes water, inspired by "Hydra," which is derived from the Latin word for water. This name also brings to mind the image of a hydra, a dragon with multiple heads, emphasizing the notion of multiplicity. Water can exist in various forms: liquid, gaseous, solid. In my artistic practice, I aspire to wield a diversity of skills, ranging from drawing to sculpture, while exploring themes related to water, the fluid that constitutes us.
What are your sources of inspiration?
Beyond my studies in architecture, I draw a lot from my Peruvian roots. Although I haven’t lived there for long, the culture, colors, and music of Peru have always resonated with me. Peruvian textiles, for example, are very colorful, and this has influenced me subconsciously. I have also been inspired by the archaeology and art of Peru.
Over time, my drawing style has evolved. I started with black and white before gradually integrating color. My parents influenced this decision – they originally found my work too dark. As time goes on, I seek to create an aesthetic dialogue through Peruvian archaeology and architecture, focusing on volumes and perspectives.
What is your vision of abstract art?
I believe that abstract art conveys ideas that cannot be expressed otherwise. Music, for example, could be translated into abstract visuals. Abstraction can represent emotions, sensations, and experiences that one does not wish to express figuratively. It allows for exploration of an invisible inner world, which is unique to each artist.
How do you prepare your works?
Before creating a mural, I often sketch and make models to find the best angle. In the past, I painted more instinctively, without much thought. Now, I take the time to plan to maintain a certain serenity during the execution.
What attracts you to geometry?
I love geometry for its automation and the freedom it offers. It allows abstract concepts to be brought back to something rational while remaining playful. I find that the possibilities are infinite, and I enjoy playing with colors and shapes.
What are your future projects?
I loved my experience in the United States and would like to continue exploring this country. I also love Peru, but it is more difficult to work there. I want to improve my English and return to the United States, where there is a strong Latino presence that reminds me of my roots.
What do you enjoy most about your job?
What I appreciate most is the freedom and time given to me for creation. It is a privilege that I cherish, and I am grateful to have found my artistic path.
What was the most challenging wall you painted?
The most challenging wall I painted was at the Port Authority Bus Station in New York. It was a complex project to manage in two weeks, using a technique I was not accustomed to. This experience taught me that painting with a brush offers more possibilities for expression than spray paint, even though spray painting can be quicker.
What are your current projects?
I am currently working on an inflatable sculpture that I have sketched from various angles. The first of these sculptures is set to be unveiled in two weeks. Simultaneously, I am preparing several murals.
