25:I[675176,["/_next/static/immutable/chunks/1p-ixxan4itdx.js","/_next/static/immutable/chunks/2t68q_0afxice.js","/_next/static/immutable/chunks/25-zeh7digb80.js","/_next/static/immutable/chunks/3snlfiavpkfl_.js","/_next/static/immutable/chunks/2us9h2nif9gsr.js","/_next/static/immutable/chunks/22wr03l3vg9t6.js","/_next/static/immutable/chunks/3-get-566o-th.js","/_next/static/immutable/chunks/2g5hqonmg-y08.js","/_next/static/immutable/chunks/2fctq02p1rhz2.js","/_next/static/immutable/chunks/1z90zbbnl9e5q.js","/_next/static/immutable/chunks/1mscxq78f6t7a.js","/_next/static/immutable/chunks/1ic-9f50h1pt5.js","/_next/static/immutable/chunks/2cwqt2bxt84w0.js","/_next/static/immutable/chunks/0a5fpb-zu0sm9.js","/_next/static/immutable/chunks/2mv5fb83_hdwa.js","/_next/static/immutable/chunks/41i2a1ceb10te.js","/_next/static/immutable/chunks/29geo-dgxtbbi.js","/_next/static/immutable/chunks/2-8roc19j98q9.js","/_next/static/immutable/chunks/013b7t4xk_pie.js","/_next/static/immutable/chunks/2t5_3ldq0r8ip.js","/_next/static/immutable/chunks/2795l1_r452nz.js","/_next/static/immutable/chunks/02-1bcgw03--o.js","/_next/static/immutable/chunks/11lk6kd_8wrll.js","/_next/static/immutable/chunks/0ktwxjvaftmz_.js","/_next/static/immutable/chunks/3_vbi6onulknm.js","/_next/static/immutable/chunks/3-icj8xi_0m9a.js","/_next/static/immutable/chunks/2d48p2ma6jnai.js","/_next/static/immutable/chunks/2ny3vw5lo-bq5.js","/_next/static/immutable/chunks/1rpj_gc4qfqoc.js","/_next/static/immutable/chunks/0k23tyqjbfujq.js","/_next/static/immutable/chunks/3c9w-2u0qx65d.js","/_next/static/immutable/chunks/3zjy0-t-18ius.js","/_next/static/immutable/chunks/0sdehoqz0cryr.js","/_next/static/immutable/chunks/2uz4urg8y0ydd.js","/_next/static/immutable/chunks/0a99058setqj6.js","/_next/static/immutable/chunks/0uq9_-_nujxe1.js","/_next/static/immutable/chunks/1cx-rbe8b3fg2.js","/_next/static/immutable/chunks/0i_risfntc-l9.js","/_next/static/immutable/chunks/0y2-v7qc-wg2c.js","/_next/static/immutable/chunks/2xh-qs_a4e359.js","/_next/static/immutable/chunks/3zgthw2-f85zd.js","/_next/static/immutable/chunks/3kx_a-sue0lh4.js","/_next/static/immutable/chunks/243butbdsdv7v.js"],"default"] :HL["https://res.cloudinary.com/dzfei3qah/image/upload/c_fill,g_auto:subject,f_auto,q_auto:eco,w_1920,h_1080/landing/69fd150f58f04a4e9b6dd65b/gallery/cyyukvmfdsoummpulgex","image",{"fetchPriority":"high","imageSrcSet":"https://res.cloudinary.com/dzfei3qah/image/upload/c_fill,g_auto:subject,f_auto,q_auto:eco,w_768,h_432/landing/69fd150f58f04a4e9b6dd65b/gallery/cyyukvmfdsoummpulgex 768w, https://res.cloudinary.com/dzfei3qah/image/upload/c_fill,g_auto:subject,f_auto,q_auto:eco,w_1280,h_720/landing/69fd150f58f04a4e9b6dd65b/gallery/cyyukvmfdsoummpulgex 1280w, https://res.cloudinary.com/dzfei3qah/image/upload/c_fill,g_auto:subject,f_auto,q_auto:eco,w_1920,h_1080/landing/69fd150f58f04a4e9b6dd65b/gallery/cyyukvmfdsoummpulgex 1920w","imageSizes":"100vw"}] 26:T9c6,Felipe Super is a São Paulo–born, New York–based visual artist whose work bridges graffiti, contemporary abstraction, and experimental typography. Emerging from Brazil’s street art scene in the early 2000s, his practice is deeply influenced by pixação—a raw and cryptic form of urban writing rooted in resistance and identity. With a background in Photography and Graphic Design, Super develops compositions that merge industrial structures, geometric systems, and layered visual narratives. His work explores the tension between order and chaos, structure and instinct, often translating the rhythm of the city into complex surfaces built through repetition, fragmentation, and material intervention. Since relocating to New York in 2018, Super has expanded his practice internationally, presenting works across the United States, Europe, and South America. Working from his studio at the World Trade Center, his current research focuses on layered compositions that challenge traditional visual hierarchies and reflect the unstable, overlapping nature of contemporary experience. My practice exists between structure and chaos, rooted in the visual language of São Paulo’s streets and expanded through my experience in New York. Emerging from graffiti in the early 2000s, I developed a relationship with letters, surfaces, and the city as a living system—where everything overlaps, decays, and rebuilds itself continuously. Working across painting, photography, and mixed media, I construct layered compositions that merge typography, geometry, and industrial references. My process is based on accumulation, fragmentation, and repetition—where images are cut, reassembled, and disrupted. I am interested in how visual information behaves when it loses its original function, transforming letters into structures, memories into textures, and noise into form. Influenced by pixação and urban environments, my work reflects the tension between control and instinct. Each piece operates as a system in flux—where order is constantly interrupted and redefined. Through layering and material intervention, I explore how images are built over time, carrying traces of movement, memory, and lived experience. Living and working in New York, my practice engages with the density of contemporary life—where multiple realities coexist. My work does not seek resolution, but rather embraces instability, revealing compositions that are both constructed and collapsing at the same time. 27:T9f9,

The mural titled Welling Court, created by artist See One, stands as a vibrant example of public art in Queens, New York. This large-scale mural commands attention with its dynamic composition and striking color palette, making it a permanent fixture in the urban landscape. The mural's physical presence enhances the neighborhood, inviting both locals and visitors to engage with its visual narrative.

The mural features a captivating interplay of colors, including bold greens, vivid pinks, and deep blues, which create a sense of movement and depth. The composition is characterized by geometric shapes and fluid lines that weave together, forming an optical illusion that draws the viewer in. The layering of paint adds texture, while the smooth finish interacts harmoniously with the brick wall surface, enhancing the mural's overall impact. Viewed from street level, the mural's scale and detail become apparent, allowing pedestrians to appreciate its intricacies up close.

Modern: The mural employs contemporary techniques and aesthetics, reflecting current trends in street art.
Optical Illusion: The use of geometric shapes creates a sense of depth and movement, engaging viewers visually.
Graffiti: Elements of graffiti style are evident in the bold lines and vibrant colors, connecting the work to urban art traditions.
Abstract: The composition features abstract forms that invite interpretation while remaining visually striking.
Contemporary: The overall execution showcases a modern approach to muralism, blending various styles into a cohesive piece.

Situated within the bustling environment of Queens, the mural interacts with its surroundings, complementing the architectural diversity of the area. As pedestrians pass by, they encounter a colorful burst of creativity that enhances the street's character. The mural not only beautifies the space but also serves as a landmark within the community, fostering a sense of place and identity in Queens.

Through See One's distinctive style, this mural exemplifies the artist's ability to merge various influences into a cohesive public artwork. The Welling Court mural contributes significantly to the public art landscape of Queens, reinforcing the role of murals in enriching urban environments and engaging communities through visual expression.

28:Ta31,

The mural titled COACH STORE, created by artist Jason Naylor, is a vibrant large-scale public artwork located in Manhattan, New York. This mural commands attention with its bold colors and dynamic forms, establishing a permanent presence in the urban landscape. Positioned on the exterior of a retail space, it invites both locals and visitors to engage with its lively visual narrative.

The mural features a rich color palette dominated by bright hues, including pinks, greens, and yellows, which create a sense of energy and movement. The composition is characterized by playful shapes and organic forms, including flowers, hearts, and whimsical clouds. Naylor employs a layering technique that adds depth, while the smooth application of paint enhances the mural's overall texture. The wall's flat surface serves as a canvas for this eye-catching display, which is best appreciated from street level, where pedestrians can fully immerse themselves in its colorful details.

Modern: The mural's contemporary aesthetic reflects modern design principles through its use of bold colors and abstract forms.
Fantasy: Elements such as the butterfly and whimsical clouds evoke a sense of imagination and playfulness.
Geometric: The structured shapes within the mural create a visual rhythm that guides the viewer's eye across the composition.
Typography: The prominent lettering of "COACH" integrates seamlessly into the design, adding a layer of branding that complements the artwork.
Pop Art: The vibrant colors and playful imagery resonate with the characteristics of pop art, making the mural visually striking and accessible.

Situated in a bustling area of Manhattan, the mural interacts with its urban environment, surrounded by a mix of contemporary architecture and retail spaces. Passersby encounter this public art as they navigate the streets, creating a moment of joy and engagement in their daily routines. The mural not only enhances the visual landscape of Manhattan but also serves as a cultural landmark that reflects the vibrancy of the city.

Jason Naylor's distinctive style is evident in this mural, showcasing his ability to blend color, form, and playful imagery. Through COACH STORE, Naylor contributes to the rich tapestry of public art in Manhattan, reinforcing the importance of accessible art in urban spaces and enriching the experience of those who encounter it.

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WTC Mura

By SUPER

WTC Mura

By SUPER