As an artist and experienced arts administrator and project manager, I bring over 25 years of expertise to creating and realizing art and cultural projects. I am also a graphic designer, educator, and painter. My practice focuses on overlooked individuals and histories, telling stories through figure, clothing, textile patterns, environment, and cultural symbols. As an Asian American immigrant and artist of color, I am committed to reflecting the power, resilience, and dignity of immigrant communities, particularly Asian and Latinx/e residents and workers. With a background in creative placekeeping work in Little Tokyo, Los Angeles, I ground my process in archival research, observation, and community discussion. I begin with historical research, then engage directly with community members to ensure the work resonates with lived experience and cultural context. My method combines strong design skills, community ties, and practical project management. This approach allows me to deliver artwork that is not only visually compelling and socially grounded, but also on time and relevant to its audience. A recent example is my mural for Mitsuru Grill and Sushi in Little Tokyo. Commissioned after downtown protests led businesses to board up windows, I collaborated with the owner to paint eight-foot-high acrylic portraits of his father and two sisters. The owner loved them so much he left the portraits up long after other businesses took down their boards. In addition, I completed two public art commissions for Windows of Little Tokyo, designing vinyl window art for the neighborhood branch of the library and a 1st Street storefront. These projects demonstrate my ability to create high-quality, site-specific works that respond to the community.
The artwork by Kenji Liu features large portraits of three individuals, painted on panels, displayed on the exterior of a sushi and grill restaurant.
View this muralThis artwork by Kenji Liu features a bold portrait of a person with a serene expression, dressed in a pink garment, set against a textured white background with an "OPEN" sign to the right.
View this muralThis artwork by Kenji Liu depicts a portrait of a woman with a serene expression, painted in warm tones, and wearing a textured blue garment.
View this muralThis artwork by Kenji Liu depicts a stylized portrait of a person in traditional attire, emphasizing bold contrasting colors and textures.
View this muralIn 2019 I was awarded a Sustainable Little Tokyo “Windows of Little Tokyo” grant to create public window art about aspects of the neighborhood. Since it was to be printed as a vinyl window decal, I designed it in Photoshop and InDesign and submitted appropriately sized, rasterized image files. This mural was installed at the Little Tokyo branch of the Los Angeles Public Library (2019), and consisted of two contiguous translucent windows on the inside facing an interior courtyard. It featured an original poem translated into Japanese and Spanish. Budget: $500
View this muralIn 2019 I was awarded a Sustainable Little Tokyo “Windows of Little Tokyo” grant to create public window art about aspects of the neighborhood. Since it was to be printed as a vinyl window decal, I designed it in Photoshop and InDesign and submitted appropriately sized, rasterized image files. This mural was installed at the Little Tokyo branch of the Los Angeles Public Library (2019), and consisted of two contiguous translucent windows on the inside facing an interior courtyard. Budget: $500
View this muralPart of an ongoing series of speculative portraits about Asian Americans whose court cases established important precedents with outsized impacts on us today. In 1884, Joseph and Mary Tape, both Chinese immigrants, attempted to enroll their US-born daughter Mamie Tape in an all-white school in San Francisco. When the school refused to admit her, the Tapes sued. The case went up to the California Supreme Court, who in 1885 upheld a lower court’s ruling in their favor, guaranteeing the right of children born to Chinese parents to public education. However, the California State Assembly quickly passed a bill establishing segregated schools for Chinese children.
View this muralPart of an ongoing series of speculative portraits of Asian Americans whose immigration case files in the National Archives are compelling and relevant to the present day. Quok Shee was married to Chew Hoy Quong in China but detained at Angel Island upon arrival. It took almost two anxiety-filled years for her to be released, only after a judge found that immigration officials had abused their power and withheld information. Here I free her and place her in the peace and ease of a Northern California redwood forest.
View this mural